While classical art, including sculptures in the ICAA's Cast Collection, heavily features nude figures to display ancient sculptor's interest in the proportion and inherent beauty of the human body, this censorship upheld the values of modesty held by the 19th century Victorian audience. The 19th century cast maker made his own additions to the Townley Discobolus, adding a strategically placed fig leaf to cover the sculpture's original nudity. #The discus thrower freeHere, the athlete has broken free from his stillness and can turn his head and finally look back towards his hand a he gets ready to hurl the discus, relieved to finally be back in his correct posture. When it was restored in the 18th century, the head was incorrectly put on facing down, instead of looking up towards the discus. The Townley Discobolus is a Roman reproduction of a 5th century Greek Bronze, yet it has one major difference from its original source material. This sculpture this cast is based off of is, in fact, a copy itself, modeled in the 19th century from the Townley Discobolus in the collection of the British Museum. He is depicted in a moment of dramatic balance, as his body rotates forward while his arm shoots back in preparation to throw. His head trains back towards the object in his hand, the discus he has been poised to throw for a thousand years. The discus thrower turns blue, and starts to look around.
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